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More?
Lyrics:
Get up, get up, get up, get up! Wake up, wake up, wake up, wake up!
Oh, baby now let's get down tonight
Ooh baby, I'm hot just like an oven I need some lovin'
And baby, I can't hold it much longer It's getting stronger and stronger
And when I get that feeling
I want sexual healing
Sexual healing, oh baby
Makes me feel so fine
Helps to relieve my mind
Sexual healing baby, is good for me
Sexual healing is something that's good for me
Lyrics:
Get up, get up, get up, get up! Wake up, wake up, wake up, wake up!
Oh, baby now let's get down tonight
Ooh baby, I'm hot just like an oven I need some lovin'
And baby, I can't hold it much longer It's getting stronger and stronger
And when I get that feeling
I want sexual healing
Sexual healing, oh baby
Makes me feel so fine
Helps to relieve my mind
Sexual healing baby, is good for me
Sexual healing is something that's good for me
Music?
"Superstition" is a popular song written, produced, arranged, and performed by Stevie Wonder for Motown Records in 1972, when Wonder was 22 years old. It was the lead single for Wonder's Talking Book album, and released in many countries. It reached number one in the USA, and number one on the soul singles chart. Overseas, it peaked at number eleven in the UK during February 1973. In November 2004, Rolling Stone ranked the song at #74 on their list of the 500 Greatest Songs of All Time. The song deals with superstitions,and mentions several popular superstitious fables in its lyrics.
Jeff Beck created the original drum beat while in the studio with Wonder. After writing the song, Wonder offered it to Beck to record, but at the insistence of Berry Gordy, Wonder himself recorded it first. Beck was instead offered "Cause We've Ended As Lovers", which he recorded on Blow by Blow in 1975. Jeff Beck played guitar on Talking Book and later recorded his own version of "Superstition" as a part of Beck, Bogert & Appice.
Wonder's music had been undergoing a marked change from his earlier fit with the Motown Sound to a more personal style.
This shift had been evident on his two prior albums, Where I'm Coming From and Music of My Mind, but it was Talking Book and "Superstition" that brought the new style to the awareness of the public in general.
The song's opening drum beat was performed by Wonder on the kit that Scott Mathews provided at the Record Plant in Hollywood. Its iconic funky clavinet riff and Moog bass synthesizer were also performed by Wonder. The song also features trumpet and saxophone, played respectively by Steve Madaio and Trevor Laurence.
"Superstition" is a popular song written, produced, arranged, and performed by Stevie Wonder for Motown Records in 1972, when Wonder was 22 years old. It was the lead single for Wonder's Talking Book album, and released in many countries. It reached number one in the USA, and number one on the soul singles chart. Overseas, it peaked at number eleven in the UK during February 1973. In November 2004, Rolling Stone ranked the song at #74 on their list of the 500 Greatest Songs of All Time. The song deals with superstitions,and mentions several popular superstitious fables in its lyrics.
Jeff Beck created the original drum beat while in the studio with Wonder. After writing the song, Wonder offered it to Beck to record, but at the insistence of Berry Gordy, Wonder himself recorded it first. Beck was instead offered "Cause We've Ended As Lovers", which he recorded on Blow by Blow in 1975. Jeff Beck played guitar on Talking Book and later recorded his own version of "Superstition" as a part of Beck, Bogert & Appice.
Wonder's music had been undergoing a marked change from his earlier fit with the Motown Sound to a more personal style.
This shift had been evident on his two prior albums, Where I'm Coming From and Music of My Mind, but it was Talking Book and "Superstition" that brought the new style to the awareness of the public in general.
The song's opening drum beat was performed by Wonder on the kit that Scott Mathews provided at the Record Plant in Hollywood. Its iconic funky clavinet riff and Moog bass synthesizer were also performed by Wonder. The song also features trumpet and saxophone, played respectively by Steve Madaio and Trevor Laurence.
Thursday?
Lyrics:
It's not in the way that you hold me
It's not in the way you say you care
It's not in the way you've been treating my friends
It's not in the way that you'll stay till the end
It's not in the way you look or the things that you say that you do
Hold the line
Love isn't always on time
Lyrics:
It's not in the way that you hold me
It's not in the way you say you care
It's not in the way you've been treating my friends
It's not in the way that you'll stay till the end
It's not in the way you look or the things that you say that you do
Hold the line
Love isn't always on time
Ok One More?
1966.
1966.
Thursday Gone?
Written and produced by the Motown production team, Holland--Dozier--Holland, "You Can't Hurry Love" was recorded for the album "The Supremes A' Go-Go" and became The Supremes' seventh hit to top Billboard's singles charts. Released in August of 1966, the song was on the charts for 13 weeks and took the #1 spot in Billboard's Hot 100 for two weeks in September. It also reached #1 on Billboard's R&B charts and the Cash Box Top 100 and finished up the year at #8 on Billboard's Year End chart.
This is one of the Motown singles of the 1960s that still sounds better to me in the mono version we heard on our AM radios in 1966 than the more commonly heard stereo version played on oldies stations today.
Written and produced by the Motown production team, Holland--Dozier--Holland, "You Can't Hurry Love" was recorded for the album "The Supremes A' Go-Go" and became The Supremes' seventh hit to top Billboard's singles charts. Released in August of 1966, the song was on the charts for 13 weeks and took the #1 spot in Billboard's Hot 100 for two weeks in September. It also reached #1 on Billboard's R&B charts and the Cash Box Top 100 and finished up the year at #8 on Billboard's Year End chart.
This is one of the Motown singles of the 1960s that still sounds better to me in the mono version we heard on our AM radios in 1966 than the more commonly heard stereo version played on oldies stations today.
Happy Friday Everyone!!!
Sure do need a strong cup of joe this morning; how's 'bout you?
if only I liked coffee
Can't help it, just love this song & needed to play it here! Dedicated especially to Pri/Redd...with (((HUGS))))kisses2
Now I don't hardly know her
But I think I could love her
Crimson and clover
Ah
Well if she come walkin' over
Now I been waitin' to show her
Crimson and clover
Over and over
Yeah
My mind's such a sweet thing
I wanna do everything
What a beautiful feeling
Crimson and clover
Over and over
Crimson and clover, over and over
This is definitely Friday Music, well it is to me anyway!
We used to peel out when we heard this on a Friday night!
We used to peel out when we heard this on a Friday night!
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