TY Dave. I really like how y'all do your rehearsals the hour before service. We do ours on Fri nites, which is ok except we wind up meeting early Sun mornings to go over the stuff again anyway. I suggested your schedule to em, but got a VERY lukewarm reaction. We just started this last March & I'm the only one w/previous experience playing in a group situation. It'll come.
We rehearse on Monday nights from about 7:30 until 9:30 or so. Sometimes, it's 10pm before I get out of there. Monday is the only day we can get everyone together. We meet again at 8am on Sunday morning to run over the songs prior to the service just to refresh ourselves and ensure that we are all on the same page before the 9am service. It's not an actual practice session as much as it is a refresher time to make sure we can still remember what we rehearsed last Monday. It's better than going in front of a crowd cold. Back when I played in a secular band playing top 40 hits we would set up, go over a few songs for sound check, and then relax until first set.
My wife is in charge of coffee and refreshments and is the door greeter, head counter, and responsible for getting the ushers up and ready at the right time. She's one of those take charge people who gets things done and directs people who need to know what to do, where to go, and how to get there.
I think our praise band is pretty good in performance mode. We only play 5 songs per service, but we try to get them as close to the recording as possible. Everyone works together to learn the parts and we do a respectable job. I like to hear moments of dead air between accent beats and we do that. To me, that's one of the crucial things that makes a group tight and I like to hear tight music. I can't complain. We get our share of applause between songs. That has always been lacking in church, but they let us know what they like.
I've been trying to get video set up to record our performances for critical analysis, but haven't gotten that to happen yet. We have cameras in the ceiling, so it would be easy for someone to use servo movement and zoom on the ceiling cameras and record to DVD. Sound injection for the recording might be the hardest part. We have a digital board with scenes so there's no excuse for not getting good audio. Instruments are miked and all inputs are in the board. Someone would have to ride gain and do the mix on the camera audio feed. Too much to ask for the level of expertise we have in the sound booth, I suspect.
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