Musicians check in here. If you play, tell us about it!

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DaveP

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May 22, 2010
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I think my days of playing in bands are done. I find it frustrating at best to get everyone on the same page. So many "bands" that have no singers and expect me to come in and learn their repetoire because that is what they play, yet don't want to spend time learning stuff I already play and sing. I can only retain so many song lyrics in this head LOL. Yet I have to use my vocal harmonizer to accompany myself? if I have to do that, it is just easier to play solo. I find if I need a loud band fix, I just hit an open jam sometime nd that cures me for a good while hehe

I wish I had the talent and the desire to do a single act, but I'm more of a guitar player who sings good backup harmony. That's the way I like it. I've never been one who could instantly memorize lyrics. Being able to recall the words is true talent. I'm able to jump in and follow a chord progression with no effort at all and craft good guitar solo passages at will. That's my talent. In the early years I was always listening to Clapton, Page, and all the other hot 60s and 70s guitarists. That style kind of grew on me and it comes out in my playing these days.
 

Vatic

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Mar 28, 2015
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I miss gigging but I met a good girl and realized there was more to life than sex drugs and rock n roll. Played metal for years, got endorsed by jagermeister. I lived the rockstar life for a little while it was fun. The only thing I really miss is playing, tho.

me in 2007,
Tim-voodoo1.jpg


I still laugh when I see those spikes n stuff I used to wear. :D
Tim-obo_march12_va7.jpg


I still got all my toys tho.
timstoyz.jpg
 

KattMamma

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If you have a few minutes to spare or waste, check out this page - SoMDcomputerguy - Music
Didn't read the whole thing - late to work already - but saw you like the old classics. Me too, but not the same stuff they play over and over and over on the classic rock stations... Sad that they overplayed stuff so much that I almost hate some really good songs.

But the deep tracks that never get played? Yeah. But I also have to mix it up with some new stuff or I go crazy.

8tracks - lol. I remember those! Probably still have some in a box somewhere...
 

Pipeous

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Depending on the market I play, I run through up to 60 songs in a day. It is a workout. I have to wear long sleeve shirts (the scar on my arm from last saturday wearing a short sleeve is proof lol). I try to add 2-3 songs a week into the repetoire and I am going back into the books to find some I haven't played for 20 yrs. America is a band I do a fair amount from. It is hard to keep it fresh and new when you play the same venue 2-3 times a month

here is an old pic from my big hair days in a heavy band I am playing bass in this band https://scontent-sea1-1.xx.fbcdn.ne...=91d8cc3ac66fc7f00e0a623f9a82b926&oe=562DAE41
 
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somdcomputerguy

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    Matching up personalities and talent is the hard part. People have to get along to stay together.
    A musician friend of mine (actually close to all of the people I call friend are some kind of artist..) has a t-shirt that says "Sometimes I do and sometimes I don't play well with others".
     

    somdcomputerguy

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    ..almost hate some really good songs.
    'Stairway To Heaven' is one of Jimmy Page's least favorite songs because he has heard and has had to play it so much.
     
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    Pipeous

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    I feel the same about copperhead road. I always play it every gig, people love it but I am sick of it. the freebird of mandolin but less complicated.... when I play it at a jam and someone asks "what are the chords?" I just reply play D... the C and G are so infrequent you can just play D LOL
     
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    KattMamma

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    'Stairway To Heaven' is one of Jimmy Page's least favorite songs because he has heard and has had to play it so much.
    the last cover band I played in had a rule... "NO Stairway to Freebird!!". One or the other (or both) were requested by someone at every gig. I know we disappointed some people, but we just couldn't stomach those songs any longer after playing them for DECADES... lol
     

    suspectK

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    For anyone who hasn't seen Whiplash, it will be premiering on Starz tomorrow evening at 7:00pm Mountain-Time. I highly recommend you check it out!
    I've watched Whiplash 3 times since Saturday. I got my "double time swing" down solid...palms of my hands look like I have some skin eating fungus on them from just working it so hard. Got my kit set up really similar now, but with extras included.:)
     

    mojofilter

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    Mar 10, 2015
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    I think my days of playing in bands are done. I find it frustrating at best to get everyone on the same page.
    That has been my situation. You come up in the ranks playing other peoples' songs. I figure if you're going to play another man's song, if you can't learn to play it at least as well as he did, why bother? If it's a record that doesn't rely too heavily on production values and effects and overdubs, you ought to be able to replicate it just by following the players and learning what they played, if your playing has progressed to that level. I learned to play songs by playing along with the record. Not as in jamming with the record, but learning the parts as they were played on it, and sounding like I'm in the group. I can count on the fingers of one hand the times when I played with other musicians who could play songs the way they were supposed to go. The rest have played songs the way they misremembered hearing them. That's really frustrating for me. I can hear it. Why can't you hear it, too?

    When I play "Superstition" it sounds like Stevie Wonder, not somebody improvising on a vamp in E flat. When I play "The Second Arrangement" it sounds pretty much like Donald Fagen. When I play the Rhodes part on "I'm Not In Love" it is indistinguishable from the Rhodes on the 10cc record. When I play the bass with "Come Together" it replicates Paul McCartney's playing, phrasing and dynamics. To play anything else on that song is gonna be a train wreck. If you're going to play "Rosanna" on the piano, you'd better be able to keep up with the guy on the Toto record.

    It just seems to have worked out that I've never met anyone else who could do that consistently, if at all. Now, I'm not the world's best anything, but I can play, up to the limits of my ability, exactly what somebody else is playing on the record that made the song famous. Otherwise, if it's beyond my skill level, I don't bother to learn it. I won't be playing any songs by Yes or Rush or King Crimson or The Tubes, for example, because I'm not there yet, and I may never get there. But I can play hundreds of other songs the way they go, all from memory. It was something I wanted to learn to do from when I was in the single digits. Too bad it's a skill set that is going to waste. Let's compare it to school: if my ability places me in Grade 11, I'm not good enough to play with the guys in the doctorate program at university, but playing with guys who are in Grade 6 is a waste of time. We're not on the same page. In a lot of cases, we aren't even in the same book. But I don't know anyone else who's in high school, and that has always been the case.

    Most baffling experience I've had: I used to have a friend who was learning to play guitar. Once, at his house, I played "Mother" on his guitar along with David Gilmour on "The Wall." When it was done, he said to me, "I can't play with you anymore." Within a week, he'd sold his guitar and he never played again, and we drifted apart as friends. All because I was at a more advanced level of playing than him. Instead of working to get there, he figured he might as well hang it up, and drop me as a friend while he was at it. Sad.

    Still, the best compliment I've ever received was "I can't tell if it's him or the record." That's one of the reasons why I do it.
     

    Arriss

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    Jun 24, 2015
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    Hello musicians, been a drummer since 70's, although my favorite is death metal, I love all styles of music, I own both acoustic and electronic drum kits. I performed in Dallas with Louis brown band, mainly rock/blues. My favorite bands to jam to are the Rippingtons and Kansas. Through the years I listen to Pink floyd and Pantera the most.
     

    DaveP

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    If you are in a cover band, that's a different expectation to me than a tribute band. People expect cover bands to do very similar covers of popular songs from as many as 50 different groups over decades. Cover bands who work at it eventually develop talents that allow them to do a good job with different styles.

    If you watch famous bands that do tributes to other artists in their concerts, those renditions vary from exact matches to personal renditions. Some are good and some are actually better than the original. It's hard to cover some Skynyrd tunes faithfully just because there's three guitars playing different solo parts at the same time in lots of their hits.

    When you name yourselves to be a tribute band, the audience expects a little more perfection in the sound, since that's the only style you play. To cover everything perfectly you have to play the same guitars and keyboards or it's going to be off at some point. If you play David Gilmour, SRV, or Jimi Hendrix, you have to play a strat and have similar effects. To cover EVH, it's got to be a Strat with a humbucker on the bridge. For some groups, you need a Hammond organ on stage. If you are doing Zeppelin covers, lead guitar has to be a modified Les Paul.

    It's rough to sound exactly like 50 different groups in one night. My cousin's band was an Allman Brothers tribute band. They did an excellent job sounding just like ABB, but they played the right equipment and my cousin was a direct match for Greg Allman's voice. The musicians came from other bands to combine into one really good tribute band. Sometimes, that works really well. They stayed booked in Georgia.
     
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    suspectK

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    It would make it a lot easier on me if I would try to imitate other people, especially trying to find people...with the long history of music, it's hard to not have someone compare you to someone, regardless if you're thick headed like me or not.

    The only thing I would change in my music career is buying the korg radias instead of the baby brother, r3.

    Things are shaping up..since my recent speakers have blown, I've had time to go over all my solo stuff. A friend actually brought me an old crate loud speaker yesterday. It was handling everything fine, so I pushed it a little, and started gagging. I toned it down and got grooving. The speaker caught on fire...let's just say, that was simply an ego boost.;)
     

    Hypnophone

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    Hey there Arris!

    Me too! Been playing drums since '78. Have multiple acoustic and electronic kits. Have performed with a whole bunch of outfits from original heavy rock to progressive.
    Like Kansas do ya? I was with the Dallas Kansas tribute, LeftOverture. The Yes tribute, Lone Star Floyd, and now Schroomville, a DFW Allman Brothers tribute.
    I told the guys many years ago that I would never be in one of those damn tribute bands.
    It's fun and gets gigs.
    Been fartin' around with original projecKts since way back(some of which are very tasty). All I have is a pile of recordings to annoy my friends with...

    Rock on brutha!


    Hello musicians, been a drummer since 70's, although my favorite is death metal, I love all styles of music, I own both acoustic and electronic drum kits. I performed in Dallas with Louis brown band, mainly rock/blues. My favorite bands to jam to are the Rippingtons and Kansas. Through the years I listen to Pink floyd and Pantera the most.
     

    Arriss

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    Jun 24, 2015
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    Awesome friend, what type kit's you have? I have Tama granstar double bass kit in gun metallic grey and and Roland E kit. Oh that's very cool, would enjoy checkin out your shows. My band LBB peformed Allman brothers song Gambler's roll, majority our music was original. Sold a few CD's, but not enough to make a living, Rofl !!!

    Been a die hard Kansas fan since Leftoverture. Phil is a very underrated fantastic drummer. Only time, I ever got a chance to see em perform in Dallas, I had to work. I never performed with a tribute band, but many fabulous one's out there.

    Forgot to mention, Danny Carey of Tool, best groove drummer I've ever listened to.

    Rock & roll


    Hey there Arris!

    Me too! Been playing drums since '78. Have multiple acoustic and electronic kits. Have performed with a whole bunch of outfits from original heavy rock to progressive.
    Like Kansas do ya? I was with the Dallas Kansas tribute, LeftOverture. The Yes tribute, Lone Star Floyd, and now Schroomville, a DFW Allman Brothers tribute.
    I told the guys many years ago that I would never be in one of those damn tribute bands.
    It's fun and gets gigs.
    Been fartin' around with original projecKts since way back(some of which are very tasty). All I have is a pile of recordings to annoy my friends with...

    Rock on brutha!
     
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    suspectK

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    I told the guys many years ago that I would never be in one of those damn tribute bands.
    It's fun and gets gigs.
    Been fartin' around with original projecKts since way back(some of which are very tasty). All I have is a pile of recordings to annoy my friends with...

    Rock on brutha!

    Sounds like a crystal ball, but...don't care!:)

    Praying that things work out with an old friend moving back in 3 months...but who knows. Everyone else I know currently to play is involved with something outside of music, but often thought to be part of it...already were unreliable, add that to the mix. Bah!

    I'm having an issue with my hihats being dampened and reverberating through the stands, maybe just the *bits*? holding the top cymbal?... don't know. Might take it down the street for an opinion.

    I'll edit what they are when I am around them...the first drum set I got on a nice trade, and traded for my current guitar, had the same pedals, iron cobras? I think the rod is hollow..
     
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    KattMamma

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    I never played in a tribute band... but the last cover band I played in was pretty successful because we tried really hard to match the radio version of each song. We took a little liberty here and there (like throwing keys in a song that had none) but I was usually impressed with what we pulled off - 50 different styles in one night, guitarists and bass player switching guitars to play in different tunings, it was serious work, but we also had a blast doing it.
     
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