also , In the video youre turning the white screw , i know thats addressed in the instructions but what exactly is the purpose of that?
I like the reggae music in the vid. How do i adjust the 510 connection? my atty isnt screwing down all the way flush onto the top plate
also , In the video youre turning the white screw , i know thats addressed in the instructions but what exactly is the purpose of that?
Sadly, even talking to me doesn't always guarantee a viable blank. But I am developing a growing list of guidelines as we go. So you're definitely better off checking with me before buying a piece. I don't mind a link, and a "how's this look?". Today, we ascertained that the stabilizing process doesn't override the inherent weakness in straight grained wood that splits easily to begin with. I'm talking about yer conifers. Imagine someone splitting firewood; from Fir, Cedar, Redwood, etc.
Burls are great. Closed cell stabilization is great. Open cell is pro'ly fine for body only.
I'm still learning on what all kinds of stuff people impregnate material with when they stabilize. It appears there's no set rule.
The materials that have come through my shop so far have been:
Hard and solid (like bakelite). . . .. ←I think that's the "Type A"/closed cell; but also the wood (very hard, dense), and maybe the "stabilizer" material.
Hard and brittle (like Mica, or glass) . . . . .. (typeA . . .? but inherently weak wood)
Hard but amorphous and not resilient (like chalk) . . .. ← I think this is the "type B"/open cell. But it could also be the substance used for stabilizing.
I've also read where stabilization happens under vacuum, and then heat and pressure. I wonder if the first example was full meal deal; whereas the last was vacuum only.
Most of the fruitwoods and exotics I work with (in-house, natural, body only) are resilient by nature. Even if they aren't always the hardest woods, they're up to the task. Mostly, I'm working with woods that have proven themselves out in my decades of custom furniture making and functional sculpture.
the vacuum chamber is to remove all air from a piece of wood as it is submerged in the stabilizing resin, and in doing so all of the air that is removed leaves a void that is just naturally filled by the resin. once the wood is fully impregnated it is then cured. many of the resins used in the wood stabilizing process is heat cured, meaning it will stay tacky and uncured until it is heated to it's reaction point.
there are other resins that are instead of heat cure, they are reactive cure. this would be when a curing agent(hardener) is mixed with the base resin and then it chemically reacts and cures no matter what, even at room temperature. the drawback to this type is that it usually cures too fast, the vacuum process can sometimes take a while and a resin that starts curing once it's mixed isn't nearly as easy to work with as a resin that stays liquid until you force it to cure with heat. I don't know enough to say anything with conclusive certainty, but I believe that an A/B reactive mixed resin will be stronger and more "epoxy" like than a heat cured single part product. it's like the difference between a 2 part urethane clearcoat with hardener vs a single component spray can clear coat.
I was considering stabilizing my own wood, so I can control the process and use a good A/B epoxy resin but in the end decided to just say screw it and went with pre stabilized. luckily it worked out well... so far at least
I took a few minutes and looked over your thread
Any of your customers who have a question if a piece is suitable are welcome to email me at burlsource@gmail.com. That is better than a phone call because when I am reading the email I am at the computer and can check on the piece in question.
I would stay away from woods like redwood, walnut, oak and heavily spalted woods even when stabilized.
The woods I provide are ones that are structurally suitable for knife handle material.
But there are a lot that would work well for your projects.
Ones that I thing would work best are #1 Maple, then Koa, Mango, Bubinga and Amboyna.
As for stabilizers. Avoid any do it yourself stabilizers because they can not get the results like the pros. I used to do my own stabilizing for a couple years but the quality was never as good as what I am able to get from K&G. My advice would be to only use wood stabilized by K&G or WSSI. Just my opinion but in the knife world they are thought of as the 2 best.
Here's me rocking mine like 10 minutes out of the box.
I actually even built 2 coils before I got to hit it. The first one came in at 1.7 so I wound another with a few less wraps and got this here 1.3 ohm micro coil in there
It is a most amazing mod from a craftsmanship, ingenuity and vapability standpoint. Love it.
http://youtu.be/Alj3dEs5YnM
So, more fun facts from Mark.
Buckeye and Box Elder should become very hard when stabilized.
With buckeye burl you need to watch out for pieces with bark pockets (very common with buckeye) because those will be weak points. With Box Elder watch out for pieces with voids. Box Elder is in the Acer family which is the parent family for all the varieties of maple. It is softer than the other maples but accepts stabilizing very well. Plus when dyed gets cool contrasts where it resists the dye.
Here's a little video of me setting up (well, re-setting up a set-up mod that I un-set-up so I could "set it up" on video) a mod. It pretty much describes in moving pictures what I had written above re: adjustments/troubleshooting.
MOD SETUP:
Hi donnah! I was hoping you'd pop in some day.
errrrrrrrrr . . . . . I'm embarassed to say . . . . . .. October? . . . November?
the bog oak is not recommended for caps. Curly maple is not so questionable that I won't try it a few times. I feel pretty good about it; but don't know for sure. Elder burls are rather soft (at least all the ones I've played with). I don't think I've taken a box elder through with caps yet. I know I've had to bail on caps with a couple of them already.
Best bet for caps are the stabilized burl wood of Maple, Amboyna. Likely candidates are other dense burls and some stabilized exotics . . . but look, if all the little grain lines go up and down in a thing that's 1/4" tall and 1x2" across, it's gonna be prone to splitting. And machine screw threads don't take well to a vertical fiber that's incised every 1/32" of an inch (by the threads). I've got a couple of stabilized curly maples in this next batch. They are OKed for a Richlite default, or Richlite is preferred. I'll know more when I'm done with this run.
A lot of the stuff you're swinging at me is out of my range of experience, VH. I'm willing to try it, so we'll just see.